I am Vasilis
And I’ve been fortunate to Witness and Narrate many stories of people in Love
Hello, I’m Vasilis Liappis
Greece Wedding & Elopement photographer
If you’re here, you’re probably wondering who will be standing a few steps away from you on one of the biggest days of your lives. Fair question. Here’s the honest answer.
Most couples tell me they’re not comfortable in front of a camera. By the end of the day, most of them have forgotten I was there, and that part matters to me as much as the photographs.
I’m not interested in directing your wedding day, I’m interested in noticing it. I’ll step in with a little guidance when it helps, and otherwise stay out of the way so the two of you can just be there. What ends up in your gallery isn’t a performance, it’s what actually happened.
I started studying photography in 1998 and spent years in fashion studios and film labs before weddings and elopements found me in 2014. The labs taught me colour and light. Weddings taught me that none of it matters if you don’t feel at ease with the person holding the camera.
FEARLESS PHOTOGRAPHERS PROUD MEMBER
With many photos featured in the platform’s special galleries
PROWED AWARDS
TOP 10 IN GREECE IN 3 YEARS OF SUBSCRIPTION
Things I love the most
Off camera
At home, I share my days with three cats who’ve claimed every corner of it as their own. Warmth, playfulness, the occasional camera-blocking. They’re family, plain and simple.
Traveling is still the thing that resets me, wandering through a village I’d never heard of the week before, finding out what’s actually good to eat somewhere new, the small imprint every trip leaves behind.
The sea does the same work in a smaller radius. It’s where I go to think less. Underwater photography lets me keep exploring it even after I’ve surfaced, chasing the way light moves down there, which barely resembles how it moves up here.
Cycling does something similar, just on two wheels instead of a boat. There’s not much better than a long ride through scenery I didn’t plan for.
And then, there’s Karpathos, my second home. This is the island where my soul truly feels at peace, rugged, still mostly undiscovered, ringed by water that particular blue you only half believe in photographs. I keep coming back for the same reason anyone keeps coming back somewhere, it’s the version of Greece I trust the most.
Since I can remember, I’ve been drawn to film, and that’s still where my style comes from. Not the look of it so much as the patience it teaches.
A roll of 35mm gives you thirty six frames and no screen to check, so you learn to wait for the real thing instead of manufacturing one. That’s still how I work today, even on the frames I shoot digitally. Being a Greece Wedding & Elopement photographer, most of what I do happens before I ever raise the camera, reading the light, reading the two of you, finding the spot where something honest is about to happen.
I’ll give you direction when it helps, where to stand, where the light is, when to look at each other, but I won’t ask you to hold a pose or fake a laugh. I focus on helping you feel comfortable with me (this is my superpower). The moments I’m actually after can’t be posed anyway, they happen when you forget I’m there. Every wedding I photograph is still a privilege, not just a job.
“From the moment we met him, he made us feel comfortable and understood our vision perfectly.”
IRIS & GEORGE
why work with me?
Your day only
I photograph one wedding per day. No double bookings, no rushing off to another event. Your day gets all of my attention, energy and creativity.
creativity
I’m not choosing between candid and composed. I use light, movement, and where you’re standing to put you in a position for something real to happen, then I stay ready for it. Some of it is planned. Most of it isn’t. The photograph doesn’t announce which is which, it just has to be one you’d want to look at in twenty years.
experience
I’ve photographed weddings and elopements from Santorini and Mykonos to Hydra, Tinos, Milos and Karpathos, so I know what the Greek light does at noon in July and where to find shade that still looks good. I know island ferries run late, that the meltemi can move a ceremony, and that a village church keeps its own rhythm. I work alongside your planner and vendors, not around them, and if something shifts on the day, you’ll hear about it from me calmly, not read it on my face.
35mm film
Digital is what’s included in your collection. Film is there if you want it, an add-on you can include in your coverage rather than something built in, because the two do different jobs. Film forces a slower pace and holds color in a way digital still doesn’t quite match. Add it and you get both in the same gallery, film’s grain next to digital’s sharpness, two different textures for the same day instead of one flattened version of it.
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